| EXHIBITIONS 
                          1904, 22, 27 Annual Exhb., Madras Art Society, Madras. 
                          1909, 25, 26, 29, 30, 33, 35, 36, 38, 39 Annual 
                            Exhb., Bombay Art Society, Bombay. 1930, 33, 35 Annual Exhb., Simla Fine Arts Society, 
                            Simla. 1930 Mysore Dussehra Exhb, Mysore. 2004 Manifestations II, organised by Delhi Art Gallery, 
                            Jehangir Art Gallery, Mumbai and Delhi Art Gallery, 
                            New Delhi.2005 Manifestations III, organised by Delhi Art 
                            Gallery, Nehru Center, Mumbai and Lalit Kala Akademi, 
                            New Delhi.  COLLECTION 
                          Sri Bhavani Museum, Aundh. Kerala Museum, Thiruvananthapuram. Prince of Wales Museum, Mumbai. Delhi Art Gallery, New Delhi.  AWARDS 
                          1889, 94, 95 Awarded Art Certificate, Bombay.1895 Awarded Drawing Teacher Certificate, Bombay. 
                          1898 Awarded Certificate for Elementary Architecture. 
                            Awarded Mayo Medal, Bombay.
1904, 22, 27 Award, Madras Art Society, Madras. 
                          1909, 25, 26, 29, 30, 33, 35, 36 Award, Bombay Art 
                            Society, Bombay. 1930 Award, Mysore Dussehra Exhb., Mysore. 1933, 35 Award, Simla Fine Arts Society, Simla.  STYLE  Adopting the style of objective accuracy, formal order 
                          and an interest in narration, with objects and spaces 
                          modelled illusionistically, his paintings perform the 
                          social function of concentrating on everyday slices 
                          of life, generating attention on local imagery. When 
                          the artistic frame is constructed around places and 
                          events, it seems easier to discover its distinct local 
                          flavour, and that is the message that Taskars paintings 
                          send across to the spectator. There is a strong local 
                          aesthetic in Taskars paintings, and inspite of the rigid 
                          academic discipline inherent in the art schools, the 
                          artist made several departures from his training in 
                          the transparent watercolour technique. One can clearly 
                          locate this in his painting, Market Place, where within 
                          the framework of measured form and proportion, use of 
                          aerial perspective and focal strategies, forms move 
                          back and forth in the visual field. The presence of 
                          pencil drawing enhances the formal construction of the 
                          work, with the outdoor atm TEACHING EXPERIENCE  1898 Appointed as Art Teacher, J.J. School of Art, 
                          Bombay. 
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