| EXHIBITIONS 1913, 14, 15, 16 Exhb., Madras Art Society, Madras. 
                          1916, 30, 31, 33, 35, 41 Exhb. in Mysore. 1927, 29 Exhb., 
                          Bombay Art Society, Bombay. 1930 Exhb., Simla Fine Arts 
                          Society, Simla. 2003 Manifestations, organised by Delhi 
                          Art Gallery, World Trade Center, Mumbai and Delhi Art 
                          Gallery, New Delhi. 2004 Manifestations II, organised 
                          by Delhi Art Gallery, Jehangir Art Gallery, Mumbai and 
                          Delhi Art Gallery, New Delhi. 2005 Manifestations III, 
                          organised by Delhi Art Gallery, Nehru Center, Mumbai 
                          and Lalit Kala Akademi, New Delhi.  COLLECTION Sri Bhavani Museum, Aundh. Nagpur Museum, Nagpur. J.J. 
                          School of Art, Mumbai. Prince of Wales Museum, Mumbai. 
                          Delhi Art Gallery, New Delhi.  AWARDS 1913, 14, 15 Silver medal from Madras Art Society, 
                          Madras. 1914 Mayo Medal, J.J. School of Art, Bombay. 
                          1916 Two bronze medals from Madras and Mysore. Six bronze 
                          medals at Patna, Mysore, Bombay and Madras. 1927 Chief 
                          of Ichalkaranyi Prize (for his painting `The Indian 
                          Beauty`). 1929 Gold Medal from Bombay Art Society (for 
                          has painting `High Expectations`), Bombay. 1930 Silver 
                          Medal, Exhb., Simla Fine Arts Society, Simla. 1930, 
                          31, 33, 35, 41 He won 5 Silver medals from the State 
                          of Mysore, Mysore.  STYLE  A popular genre, portraiture was about sharpening 
                          ones sense of observation, understanding of light falling 
                          on the form, and the accuracy of drawing which were 
                          almost inevitable to be an accomplished painter. For 
                          Indian artists who had practiced art at either a transcendental 
                          or then mythological level, the physicality of the world 
                          around was never the goal. In case of Sardesai, there 
                          is an unpretentious realism that captures faultlessly 
                          the ordinariness. TEACHING EXPERIENCE  1915 Appointed as a teacher for two months during 
                          the leave vacancy period of Late Shri Rao Bahadur Dhurandhar. 
                          1917-20 Worked in special painting class of J.J. School 
                          of Art, Bombay. 1920-30 Worked as a drawing teacher 
                          in the Fort & Proprietary High School, Fort, Bombay. 
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