| Ram Thorat has had over two decades 
                          of experience in advertising. An accomplished art director 
                          and illustrator with some of the biggest names in the 
                          business, he's finally parted ways with his passion 
                          of many years and yielded to his first love; of colour 
                          and canvas.  He is of the opinion that his work today is a by-product 
                          of years of nurturing his inner self in the shadows 
                          of masters. The transmutation of lead to gold by the 
                          philosopher's stone is the kind of analogy he would 
                          give to his journey as a painter; from one who is enamoured 
                          by masters, to one who is able to create some of his 
                          own. And the journey has just begun.  A disciple of Mr. Pant Jambhalikar, he is deeply influenced 
                          by the work of Mr. Thota Vaikuntham, Mr. Kalyan Shete 
                          and many friends who are way to many to name here. He 
                          does not attribute his work as inspired by any other 
                          than life in itself, its unpredictable ebbs and tides 
                          and the vagaries of its scope.  His Work  'Live and let live' is the very essence that embodies 
                          every constituent facet of nature. Gautam Buddha, selflessly 
                          extolled these virtues by bringing them to the grasp 
                          and understanding of the common man. This brings out 
                          a sort of 'attainable purity' to the notion that underlies 
                          the scope and expanse of all his teachings.  It is these teachings that Ram has sought to bring 
                          forth in his depictions of Gautam Buddha. Through the 
                          use of tonality of Aurum that covers the expanse of 
                          both dark and light, it is very evident that the essence 
                          that seeks to manifest not only the flavour of 'the 
                          purity of thought' but also a taste that connects you 
                          to the age that was; 'the age of enlightenment'.  Ram urges you not to be influenced by what you see 
                          simply based on the western glorification of eastern 
                          cultures. He would rather, that you see this as an expression 
                          of his own being that attempts to portray a phenomenon 
                          that defies representation, surpasses all praise and 
                          only warrants understanding.  
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