| EXHIBITIONS 
                          1951 Participated in Salon de Mai, Paris1952 Exhb., Freemasons Hall, New Delhi.1953, 54, 56 Exhb., AIFACS, New Delhi.1953, 64 National exhb., Lalit Kala Akademi, New 
                            Delhi.1959, 61 Mainichi Beinnale, Tokyo.1960 Contemporary Art from India, Museum Folkwang, 
                            Essen. 1961 Sao Paulo Biennale, Brazil.1962 Venice Beinnale, Italy.1965 Ten Contemporary Indian Painters, MIT, Cambridge. 
                          1967 Pittsburgh International Show, USA.1968, 71, 75, 78, 82 1st, 2nd, 3rd, 4th, 5th International 
                            Triennale India, New Delhi.1971 Contemporary Indian Paiting exhb., Washington 
                            DC, Pasadena and Toronto.1971 Exhb., Gallery Chanakya, New Delhi.1972 Contemporary Indian Art, USSR and Greece.1972 25 Years of Indian Art, New Delhi, Bombay and 
                            Madras.1973 Beinnale of Sydney, Australia.1973 Contemporary Indian Painting, Washington DC, 
                            Los Angeles, USA and Toronto. 1973, 74 Solo exhb., 
                            Gallery Chemould, Bombay.1973, 74 Indian Painting Today, Belgium, Yugoslavia 
                            and Bulgaria.1974 Solo exh  COLLECTION 
                          National Gallery of Modern Art, New Delhi.Lalit Kala Akademi, New Delhi.Punjab Museum, Chandigarh.Museum of Art, Bhopal. Gandhi Darshan, Rajghat, New Delhi.University of Delhi, New Delhi.Jammu and Kashmir Academy of Art, Srinagar.Museum of Indian Art, Berlin.National Gallery of Czechoslovakia, Prague.Museum of Modern Art, New York.Delhi Art Gallery, New Delhi.  AWARDS 
                          1958, 64 National Award for painting, Lalit Kala 
                            Akademi, New Delhi.1959-60 Received Fulbright Scholarship, USA.  STYLE  Birens painting has grown and is growing. Sometimes 
                          it is labeled Tantric but I do not think it is tantric 
                          any more than what is painted today can be traditional. 
                          I think it is clear that each phase emerges out of the 
                          one before and is more profound. Though the struggle 
                          of the artist seems immense, it seems he is also more 
                          able to let some inner source beyond rationality dictate 
                          his direction. His art moves through him towards a more 
                          universal expression, which is elegiac and heroic. The 
                          deep reverberations of this music will be with us when 
                          all is still. Jaya Appasamy TEACHING EXPERIENCE  1952-64 Lecturer, College of Art and Delhi Polytechnic, 
                          New Delhi. 1968 Visiting Faculty Member, School of Planning 
                          and Architecture, New Delhi. 
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