| EXHIBITIONS 1950 Annual show of the Academy of Fine Arts, Calcutta. 
                          1983 Heritage Gallery organised a Retrospective. Exhb. 
                          at Art Heritage, New Delhi. 1998 Retrospective Exhb., 
                          (Graphics): The Alternative Art Gallery, Calcutta. 1999 
                          Retrospective Exhb., Right Lines Art Gallery, Bangalore. 
                          International Graphics Art Exhb. in Leipzig, Tokyo, 
                          Osaka, Italy, Norway, China, Australia and Switzerland. 
                          2003 Manifestations, organised by Delhi Art Gallery, 
                          World Trade Center, Mumbai and Delhi Art Gallery, New 
                          Delhi. 2004 Manifestations II, organised by Delhi Art 
                          Gallery, Jehangir Art Gallery, Mumbai and Delhi Art 
                          Gallery, New Delhi.  COLLECTION Art Heritage, New Delhi. National Gallery of Modern 
                          Art, New Delhi. Delhi Art Gallery, New Delhi.  AWARDS 1949,50,54 Gold Medal, Academy of Fine Arts, Calcutta 
                          (Also in 1954). 1949,55 Gold Medal, Hyderabad Art Society, 
                          Hyderabad. 1950,51,58 Gold Medal, Shilpa Kala Parishad, 
                          Patna. 1958 Gold Medal, Society of Painters, Madras. 
                          1986-87 Akademi Award, given by West Bengal State Akademi 
                          of Art, Music and Dance, Calcutta. Received Honour from 
                          Rabindra Bharati University, Calcutta. 1989 Received 
                          `Abanindra Puraskar`, Govt. of West Bengal.  STYLE  Harendranarayan Das moved from one medium to another, 
                          at times reverted to the earlier ones. From the mid 
                          1950s his graphics art showed increasing skill and confidence. 
                          The bulk of Haren Das`s substantial body of prints comprised 
                          woodcuts, wood engravings and etchings as it was his 
                          favourite medium. Occasionally, he switched over to 
                          linocuts for change. For softer effects, or diffused 
                          quality of light, he resorted to sugar aquatint, or 
                          to mezzotine. He did drypoints as well. Much of his 
                          work is comparable to prints of the Victorian period, 
                          reflective of a particular world, known and deeply etched 
                          in the mind, repetitive and mechanical at times, but 
                          tightly composed, where, apart from the documentary 
                          value, skill and trimness matter a great deal. Minute 
                          workmanship and a keen power of observation are conspicuous. 
                          Meticulous rendering attracts the viewer`s attention 
                          to themes both commonplace and off-beat. TEACHING EXPERIENCE  He was an Art Teacher, Zilla School, Cumilla. 1947 
                          Taught Graphic Art, Govt. School of Art, Calcutta. 1951-81 
                          Lecturer, Graphic Arts department, Govt. College of 
                          Art and Craft, Calcutta. 
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