| EXHIBITIONS 1954 First solo show in Calcutta. 1954,55.56,60 Group 
                          exhb. in Bombay. 1959,60,61,62,65 Solo show in Calcutta. 
                          1963 Group show in Calcutta. 1964 1964 Eight Painters 
                          from Calcutta, AIFACS Gallery, New Delhi. 1965 Group 
                          show in New Delhi. 1962 Exhb. of his Paintings, Art 
                          and Prints Gallery, Calcutta. Joint exhb. with sculptor 
                          Sarbari - Roychowdhury, German Cultural Institute, Max 
                          Muller Bhavan, Calcutta. 1966-1967 Drawings & Rolling 
                          Pictures from India, organised by Ministry of the German 
                          Democratic Republic, German- South East Asian Society 
                          in the German Democratic Republic, Association of Painters 
                          and Sculptors of German, organised in Dresden, Halle, 
                          Madgeburg and then it travelled around other cities 
                          like Berlin and Munich in Germany. 1966 An exhb. of 
                          painting and sculpture, dedicated to the memory of Alberto 
                          Giacometti, Artistry House, Calcutta. 1967 Retrospective 
                          Exhb. (selection from 1950-66), organised by Sm. Bina 
                          Biswas at the Academy of Fine Arts, Calcutta.  COLLECTION National Gallery of Modern Art, New Delhi. Ebrahim 
                          Alkazi, New Delhi. Academy of Fine Arts, Calcutta.ata. 
                          Neville Tuli, Bombay. Jane and Kito de Boer, Dubai. 
                          Mukund and Neerja Lath, Jaipur. Parshant Tulsiyan, Calcutta. 
                          Delhi Art Gallery, New Delhi.  AWARDS 
                          1956 The Lalit Kala Akademi, New Delhi, honoured 
                            him with a Gold Medal for being, the best exhibit 
                            in modern art.  STYLE  He is a realist with strong expressionistic tendencies. 
                          Art for him could not be reduced to terms of aesthetic 
                          sensation alone. He therefore tried to make a subjective 
                          statement that reflects the tragedy of the human condition. 
                          His swirling or swelling figures, both human and animal, 
                          burst the bounds of normal anatomy by sheer force of 
                          vitality. TEACHING EXPERIENCE  Art Lecturer in Mira Institute, Calcutta. 
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