| EDUCATION  1925-29 Diploma (Fine Arts), Kala Bhavan, Visva-Bharati, 
                          Santiniketan.  EXHIBITIONS 1950 Realities Nouvelle, Paris (Also in 1951). Calcutta 
                          Group exhb., Calcutta. 1960-61 Visva Bharati Uninersity, 
                          Santiniketan. `Paintings, Sketches & Sculptures`, 
                          Calcutta Arts Council, Calcutta. 1972 Birla Academy 
                          of Art & Culture, Calcutta. 1974 Tokyo exhb., Japan. 
                          1979 Asian Art Exhb., Tokyo. 1990 Retrospective, National 
                          Gallery of Modern Art, New Delhi. 1991 Exhb. presented 
                          by National Gallery of Modern Art and Nag Foundation, 
                          Bal Gangadhar Kala Dalan, Pune. 1995 `Man and Nature: 
                          Reflections of Six Artists`, Indian National Trust for 
                          Art and Cultural Heritage and National Gallery of Modern 
                          Art (Curated by Keshav Malik). 1995 Old Masters, Taj 
                          Palace Intercontinental, New Delhi. 1997 `Santiniketan: 
                          The Making of a Contextual Modernism`, exhb. curated 
                          by R. Siva Kumar, National Gallery of Modern Art, New 
                          Delhi.  COLLECTION Kala Bhavan, Santiniketan. Late Rani Chanda Collection 
                          & Academy of Fine Arts, Calcutta. H.K. Kejriwal 
                          Collection & Karnataka Chitrakala Parishad, Bangalore. 
                          Lalit Kala Akademi, New Delhi. National Gallery of Modern 
                          Art, New Delhi. Reserve Bank of India, New Delhi. Jane 
                          and Kito de Boer, Dubai. Delhi Art Gallery, New Delhi. STYLE  Being no introvert or recluse, Baij responded to the 
                          a natural zest for life, and took a great interest in 
                          human figures, body language, and in the general human 
                          drama. Modern Western Art and pre and post- classical 
                          Indian Art were his main point of reference. He used 
                          local material advantageously, and worked combining 
                          the skills of a modeller and a carver. His paintings 
                          too take on Expressionist dimensions like his sculptures, 
                          which are filled with force and vitality. TEACHING EXPERIENCE  Head of the Sculpture Department, Kala Bhavan, Santiniketan. 
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