| EDUCATION  1917-23 Studied at Ketkar Institute of Art, Bombay. 
                          1928 Diploma in Painting, Govt. of Maharashtra, Bombay. 
                          1932-34 Studied at Royal College of Art, London.  EXHIBITIONS 1932 Exhibited painting titled Round Table Conference, 
                          Imperial Institute, London. 1937 Solo exhb. Inaugurated 
                          by Maharaja of Mandi, New Delhi. 1954, 56, 58 Solo exhb., 
                          Bombay. 1973 Exhb. of 51 Paintings depicting the first 
                          hundred years of the freedom movement (1757-1856), inaugurated 
                          by Indira Gandhi, Birla Bhavan, New Delhi.2004 Manifestations II, organised by Delhi Art Gallery, 
                          Jehangir Art Gallery, Mumbai and Delhi Art Gallery, 
                          New Delhi.
  COLLECTION 
                         Parliament House, New Delhi. Sangeet Natak Academy, 
                            New Delhi.  AWARDS 1929 Maharaja of Bhavnagars Prize, Bombay. 1930 Silver 
                          Medal, Bombay Art Society, Bombay. 1931 Gold Medal, 
                          Bombay Art Society, Bombay. 1955 Awarded Tamra Patra, 
                          Govt. of India. 1957, 59, 61 Filmfare Award, for Art 
                          Direction, Bombay. 1957 Awarded Film Journalists Association 
                          Trophy, Bombay. 1968 Awarded Padmashri, Govt of India.  STYLE  Acharekar remained in the forefront of portrait paintings, 
                          especially of the commemorative genre, for more than 
                          forty years. He was also an educationist and a successful 
                          art director who raised art direction to a new height 
                          in the field of cinema. His interest and superb ability 
                          in live portraiture is apparent in the ease and rapidity 
                          of his renditions of human figures, retaining their 
                          character and likeness. It was the perfect academic 
                          discipline gained in his early life, the sheet anchor 
                          of his artistic credo, which facilitated these easy 
                          renderings. It must be noted that he remained alive 
                          to change and rejuvenate, evolving gradually without 
                          sudden revolutionary mutations. He remained very much 
                          his own master with no direct and obvious influences 
                          of any isms. TEACHING EXPERIENCE  1923 Appointed as Junior Teacher, Ketkar Institute 
                          of Art, Bombay. 1937-39 Deputy Director, J.J. School 
                          of Art, Bombay. 1948-56 Principal, Academy of Art, Bombay. 
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